From what I understand, the movie started off as a short film (which you may or may not be able to watch here). But, as stories often do, it grew into something bigger, transforming itself into an hour-and-twenty-seven-minute feature length film.
Chrome made a mistake. It gave me the ability to mask just how many browser tabs I have open. These color-coded tab groups have chameleoned my digital-self into a well put together person. Someone who knows what he is looking for.
At the moment, I have five browser tab groups on my work computer. They are dedicated to the “core” items I use every day to assist out visitors, the “inventory” I manage, LGBTQIA+ resources for students who may need assistance, my audio websites for entertainment purposes, and my current body of research – the queer history of the Rio Grande Valley.
In an impromptu meeting, we discussed future exhibit plans. For June, we will be celebrating Pride within our lobby gallery. And while I can’t take credit for this idea, growing an RGV LGBTQIA+ collection has been my pet project for a while now and I want to think that I inspired this move.
I tasked myself with creating a timeline poster depicting a concise history of the movement in the Lower Rio Grande Valley. Building off the research I made last year while working a hybrid schedule, I am piecing together a tapestry of important dates. From the establishment of the Valley AIDS Council, the first Coming Out Day celebration, the continuing growth of the RGV Pride celebrations, and everything in between.
A few names came appearing in the articles I printed out from Neta RGV and I hope to communicate with them in the future. My shared goal is to create an oral history collection in order to document the history through those who lived it.
One display case will remain empty as a way to symbolize how much work there is ahead for the archive and library community. The idea isn’t about getting it right the first time. It’s about getting it out there and learning on the way.
Dua Saleh is best known through their music or as Cal Bowman on Sex Education. Their poem “Pins and Needles” speaks on the intersectionality LGBTQIA+ individuals face when they’re already part of a marginalized group. When the other is seen as “white people shit,” or how it’s better to go along with what your friends say rather than being alone.