If a little is not enough for you, nothing is. -- Epicurus

“Why do you say such a sad, depressing thing?” she asks. The words fall from my lips because if I say them aloud, I somehow validate my fears. Sad, depressing things, however, have been my life’s bread and butter. I didn’t get this far being cheerful and optimistic. Lately, though, I don’t know. A new emotion has fallen into place. The void, the vacuum where my theoretical heart should reside has been filled in with something I cannot fully explain. So forgive me, please, if I fear that one day I will wake up and find all this was just a dream. Was just the imagination of a writer’s hope and I was never happy.

April 09, 2005

I meet Amado Balderas for the first time. My creative writing professor – his friend – Rene Saldana, Jr. does the honors of introducing us to each other. We’re at some poetry pachanga, something that’s been happening all day from my understanding. Something I wouldn’t have thought of coming to, but I had plans to be present. Perhaps for extra credit for a class I have no need for it. I’m supposed to be here with a friend, but she’s – for one reason or another – decided to ditch me.

Several months later, Amado forces me on stage to recite my poetry at his diner/cafe. And in the light, I swallow whatever fears I have and stand there and my mouth opens…

Cut-Ups

Multi-screen viewing is seemingly anticipated by Burroughs’ cut-up technique. He suggested re-arranging words and images to evade rational analysis, allowing subliminal hints of the future to leak through…

I’ve mentioned this before. Someone once asked me how I do it, let loose with my emotions, my thoughts. How do I managed with such lengths of exposure? There’s no secret to it, really. You just write, shutting your inhibitions off. There’s a bit more, for those who are still having trouble. Write without writing. Sorta of speaking without speaking. Or acting without acting. If you’re good at it, you’ll pour out your meaning without letting anyone know. Like let[ting] the air in and then it’s all perfectly natural.

I’ve started this blog as a way to find my place in this world, create something while continually writing. I may not edit my posts as often as I’d like – or revise them before hitting post (at least, not all the time. When I do, it’s very rare. This acts more like the journal I left out on the coffee table, with the cover opened, begging the finder to turn the pages and read) – but does that part really matter? The whole purpose is to never stop writing, never stop giving up. Keep on reading.

So convey without conveying. Use the cut-up theory. Just do.

Or you can be painfully obvious and hope that no one realizes. Here’s an example:

I’m a riddle in nine syllables,
An elephant, a ponderous house,
A melon strolling on two tendrils.
O red fruit, ivory, fine timbers!
This loaf’s big with its yeasty rising.
Money’s new-minted in this fat purse.
I’m a means, a stage, a cow in calf.
I’ve eaten a bag of green apples,
Boarded the train there’s no getting off.

Sad, Honest Truth

I’ven’t any confidence in myself, anymore. My writing’s gone to shit. My life, mood, (fictional) self-esteem rely on others. Mostly, they rely on Jyg’s love for me. Without that, I am nothing.

Notes and References made in this post:

  1. Cut-Ups quote from Watchmen by Alan Moore and Dave Gibbons
  2. “Let[ting] the air in…” reference is from “Hills Like White Elephants” by Ernest Hemingway, the master of saying things without actually saying things.
  3. The example poem is “Metaphors” by Sylvia Plath.
Advertisements